Star ratings are one of the two most powerful tools we have in our digital workflow (the other being keywords)!
Suck that sentence up for a few seconds. Do you know why?
Basically, it’s because with keywords and star ratings, a database (catalog software, Lightroom library module etc) can sort our photos in a matter of seconds in the most powerful manner possible. With a couple of clicks we could sort 20,000 photos and filter them down to our absolute ‘best of’ folio collection or find those priceless photos of our dog eating our shoes. Without keywords and ratings, we have 20,000 photos to look through…
So they are very powerful. But HOW they are applied is equally important, and it is this subject I want to expound upon, after seeing some very famous and influential photographers (Scott Kelby and more recently David DuChemin) totally stuff it up. The influence these guys have is expansive, and not something I can compete with obviously, but I have to do my bit to remedy the situation…. More after the jump.
Continue reading star ratings
I have to admit, I am seriously impressed with the Digital Photography Workflow website dpbestflow.org. An initiative of the American Society of Media Photographers and funded by the American Library of Congress, it is a fantastic resource for all digital photographers worldwide. It is mainly the work of Richard Anderson and [...]
Digital Asset Management is going mainstream. And most people don’t even realise it. With the development of Lightroom to version 3 (currently in beta) and the recent release of Aperture 3, sophisticated stand-alone DAM tools are reaching photographers everywhere. They may not be perfect at all aspects of DAM, or suitable [...]
In a way I suppose it’s partly jealousy. After all, Scott Kelby is the author of many international bestsellers, all of which focus on the art and craft of photography. I could be so lucky. Or clever.
But I do have other, more valid reasons to think less of Scott’s latest book. And it’s this: he has SUCH influence and he’s peddling rubbish. With influence comes responsibility!
 I’m trying to plough through his latest book on Lightroom, the incredibly long-winded “the Adobe Photoshop Lightroom 2 book for digital photographers“. Now while I’m no expert on Lightroom, I do know a fair bit about digital asset management, and over the course of the last 4 years or so, my views on the subject have been largely informed by the world’s leading expert on the subject, Peter Krogh. Digital Asset Management is a broad subject that covers the management of images from the time they come off the camera all the way through to their permanent homes in our archives.
Lightroom is of course an application that covers a lot more than digital asset management, but if you use it, it does have a large role in that process, so it’s good to understand the basics behind DAM to get the most out of it.
And it’s here that Kelby’s book falls over for me. It covers all aspects of Lightroom, and I’m quite happy with what I’ve read in the other sections, but the first section, the section on the Library, is what I’m struggling so much with. It is in there, understandably, that all “digital asset management” type functions occur.
Continue reading Why Scott Kelby doesn’t know a DAM thing
 The DAM Book I’ve just finished Peter Krogh’s book on Digital Asset Management, The DAM Book. Recently published in a second edition, it’s not just a slight update on the first edition, which I talked about here. The new DAM Book completely re-looks at Digital Asset Management in light of recent software developments and trends, most notably Lightroom, but also great little apps like ImageIngester Pro.
A lot of what Peter writes about hasn’t changed from his first volume, but in some cases it has, and in others it has just been refined. Mostly though, it has been expanded to look at new workflow options with Lightroom, and seems to cover more ground with the management of working files, and the areas of data validation and the ingestion process.
It’s a much bigger book than the first tome, weighing in at over 460 pages. Now, I’m sure Peter would be the first to admit that this is not lightweight casual reading. It’s technical, and at times, a tad dry, but if you are passionate about your digital photography, and even more to the point, you are someone who wants to learn how best to manage and leverage those assets, then you will plough through this book in the first instance, and then come back and re-read it several times to enable the gradual implementation of all his good advice. For this is no lightweight matter. For someone with 10,000 digital images randomly thrown into folders on their computers, not properly backed up and in proprietary file formats, this is going to be a long, big job. But bringing your archive up to DAM standards will be one of the most valuable things you could ever do to your collection, and this book shows you precisely how, and why, to do it.
The structure of the book is awesome. He starts at the start, with a discussion on why we need Digital Asset Management, what the objectives and benefits are, and then he continues from there. There is a logical flow to the subjects he discusses, and a really good mix of theory, implementation and examples.You can see a list of the Table of Contents for the new book on Peter’s site, here.
Continue reading The DAM Book (2nd Edition)
In an earlier post, I spoke about back-up and the need to develop a system that does what it needs to do – save your data from all potential loss, and allow you to get back up and running in the quickest possible time.
Photographers have special requirements with regards backup. They generate huge volumes of data in a very short time. It would be in no way unusual that in one photo shoot, I might generate from up to 4GB of data. And this is data, that if lost, is totally irreplaceable. The sheer size of it as well precludes online backup strategies for most, as upload speeds are too slow, and adsl account limits are often 20GB or less (this is of course only an issue if your ISP includes uploads as part of your allowance).
Continue reading The Perfect Backup Strategy Part 2
I have been thinking more about workflow. I am a DAM and a DNG convert, and have been slowly trying to turn these approaches and tools into an efficient system. There are several workflow solutions, and it would appear that one of the most popular is the Bridge / iView Media Pro (now Expression [...]
If you don’t know what DAM is, I could be rude and suggest you are not a serious photographer. Now I won’t because I am a polite boy, but really, if you are serious about digital photography, you simply have to be serious about DAM.
Basically, it involves everything between getting your images in [...]
If you don’t know, UPDIG stands for UNIVERSAL PHOTOGRAPHIC DIGITAL IMAGING GUIDELINES. This is a set of guidelines developed for digital imaging by the UPDIG Working Group, descibed on their website as “A working group of digital imaging professionals and allied trade groups and manufacturers, dedicated to promoting worldwide standards in the commercial application [...]
The DAM Book
I recently bought a book, which, even though I’m not even half way through it, I believe is an essential purchase for anyone serious about photography, whether amateur or professional. The book is called The DAM Book, and the topic is, naturally enough, Digital Asset Management. It’s basically about [...]
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