Monthly Archive for August, 2007

Purists

We had a visit last week at school from the editor of a magazine called Silver Shotz. He was an interesting guy who had a lot of interesting advice and examples of really interesting film based processing techniques, like cyanotypes and salt prints and the like. But in my eyes he undermined his whole talk by being decidedly and openly anti-digital. It’s one thing to be a film enthusiast and to spruik the joys of film based photo arts, as there is a lot of really good stuff you can still only do with film. But to take a stance that says digital is rubbish, and only film is any good is clearly a stance that won’t go down well in a 2007 classroom of photographers. It seems to me that it’s insane not to embrace digital. It’s not going to go away, that’s for sure. Film is the impending dinosaur, and it makes no sense to alienate the next generation to its joys.

Tricks like printing a shot in the darkroom (just casually mind you, no great care taken), and then scanning that image on a drum scanner and printing it out on the latest ink jet to prove that ink jets can’t match it with darkroom output are simply tricks. There’s so much room for bias in that process, especially when the person doing it has already made it clear they are anti digital in the first place… As one person said, ‘yes, the film based one looks a little better, but if I hadn’t seen that, I’d think the ink jet one was fabulous’.

Money is one thing that stops me experimenting more with film based photography. It’s an expensive hobby. The joy of digital is that you can shoot forever and it doesn’t cost anything in ongoing costs. Digital is improving rapidly (this is happening at about the rate computers have experienced in the last decade or so) and before long both capture and output devices will be the equal of any film based technology. So what is there to not like with digital? Are these just old men stuck in there ways, unable to feel the joy of digital? I accept that film based photography is a more hands on experience, but really, who likes the smell of the darkroom, and the toxic poisons used therein?

But I don’t need to be anti-film either. I’m not. I love film. I think the only logical position is to embrace both film and digital technology and get the best from both worlds. Photographic purists remind me of the old men who hated rock and roll and Elvis or art snobs who think photography is not art.

I rally against purists!! Death to the tyrants!! Run them out of town!!! OK, OK, I’ll calm down now, but you get the point. Don’t you?

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Talk about an EOS Accessory

DP Review has a page on the new Canon M30 and M80. It looks cool. I WANT ONE!!!

M80

DNG files (digital negatives)

I’ve been very busy lately and everytime I think to write a post on here, my mind is blank.

Anyway, I was wondering what people think of the DNG format. I have been slowly implementing a DAM workflow, and as a part of that it is recommended that you convert your raw files to DNG files. I fully support open source projects and I think Adobe has the right interests at heart with this project and I think it will definately keep getting more and more common. Hopefully, Canon and Nikon will support dng’s straight from the camera soon (it’s already supported as a native format in some other brand cameras like Hasselblad and Pentax).

So my question is this. Do you support dng? Do you bother? Do you know the benefits? Are you worried about a time when you will not be able to open your proprietary Canon or Nikon raw format files?

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