Monthly Archive for June, 2007

Onexposure.net

Onexposure is a photoblog with a difference. The idea behind it is both interesting and problematic. Basically, how it works is this. You join, submit a photo, and if the powers that be think it is good enough, it goes up on the blog under a category. The idea behind this is clearly to achieve and maintain a certain level of quality to the images. But the problematic part of it of course is that the four screeners are putting themselves in a position of judging what is good and what is not. They further put focus on that judgement by having a section where you can see what percentage of your submitted photos have been accepted. And depending on that rating, they allow you to upload more or fewer pictures for submission.

I joined and submitted some pictures to see how the process worked. Of course I submitted stuff I thought was of a decent quality. Many of my initial uploads were accepted but then when some shots were not accepted it made me start to think about the process. Did I really want to have these 4 people sit in judgement on the quality of my work. Where was the line and how could I know what they would think was good. Of course I wanted more exposure for my work, but at what price? I then started selectively uploading different types of shots to see how they would be received. When a photo is rejected, there is a process in which you can appeal a photos judgement. The screener then tells you why a picture has not been accepted. It was here that I lost my interest. I felt the screeners’ judgements were very flawed and I found I didn’t agree at all with what they were saying. I found examples of other pictures on the site I felt were hugely inferior to ones of mine they hadn’t accepted. In the end I realised I wanted nothing to do with the place and of course that’s what I did.

But the question then is what others think. Is this way of engaging in community based photo appreciation a good way? I think not. I think it’s extremely problematic because of the very small number of screeners. If there were 50 screeners and they all ranked a picture, then averaged out that ranking, that’d be a more consistent and reasonable way of doing things. But 4 people sitting in judgement over hundreds of photographers work and thereby getting themselves a very nice looking website in the process seems a bit… cheap. I know of others who have also had problems with this site and those that run it.I have also heard that they re-use the photographs on another of their sites, nowords. I don’t remember seeing this in the terms and conditions when I signed up, but I suppose it was there. If not, it’s unacceptable. Maybe I should go and check…

An alternative way of doing things is weeklyshot. Run by Brandon Stone, this site accepts submissions on a theme, and the users themselves rate the photo in 5 areas. Those that rate highly get featured on the home page. A much more democratic system I think, and a very enjoyable and productive way of getting and giving productive critique.

Basically it boils down to this: It’s hard to have a photo you think is really good rejected. If three people reject it, then it’s easy to think they just don’t have any taste. If 100 people reject it, it’s easier to accept there is something wrong with it. We all know it’s hard to be objective about our own photos, so it makes sense to get feedback on them. But by seeking out the widest possible feedback will give you the most balanced view of how people generally view a photograph. And even if 100 people hate your picture, remember there will probably be someone out there that loves it.

Lightbox 2

I just came across this little script called Lightbox 2. It looks dead simple to use and there are clearly a few possibilities when it comes to implementation if you are a photographer looking for interesting ways to present your work on your site. Check out Brisbane’s Powerhouse website for an interesting example of the script in action (click the picture, obviously). It’s simple, but it looks very good, no?

Look out for it in action on my site soon :)

Silver with Distinction

It’s time to blow my own trumpet.. Two of my photograhs were awarded at the 2007 Canon Australian Professional Photography Awards just a few weeks back. One, entitled Feet First was awarded a Silver with Distinction, and the other, Reflection got a Silver award. Competing directly against professional photographers across Australia, I must admit I’m stoked to achieve such fabulous results on my first attempt at a national photography competition. It’s going to be difficult to follow up on this, but I’m very happy nonetheless.

Feet First

Feet First

Reflection

Reflection

Erwin Olaf

If you don’t know this photographer, go and have a look at his web site. Erwin Olaf is a Dutch photographer & film maker, who produces brilliant, top-end advertising work for his living, and does equally spectacular art photography as his personal work. I went to one of his touring exhibitions last year entitled Elegance and Perversity, and this man and his work just boggled my mind. Never before have I seen the technical, conceptual and aesthetic triumvirate come together in such a sophisticated, modern and challenging way. Admittedly, the man’s work is not for everyone. But that said, he has two types of personal work and the more restrained and subtle side of his work, as exemplified by the series Hope for example, is most assuredly open to most who are lovers of fine art photography, no matter what their social or sexual attitudes. But there is also a much darker side of his work, focusing on sexuality and consumerism and if you are socially or sexually conservative, this work may not sit easily with you .

Olaf Erwin is gay, and in some of his work, that part of his identity is very much under the microscope. For a non-gay like myself I found it to be a fascinating insight into that world. His series entitled Paradise The Club is amazing because of its open debauchedness. Another series called Separation is much more disturbing material, dealing as it does with full body rubber suits and child and mother relationships… Very strange indeed.

Backstage at the Paradise Club

Backstage, from Paradise The Club. These were a series of digital montages, taken from a recreation of a real party that Erwin staged in a warehouse. The expressions captured are priceless in their perversity.

His more austere work is very toned down, very subtle stuff. His two series called Hope and Rain were beautifully low key, with amazing compositions and attention to detail the focus of the work. In particular I was captured by his ability to create dynamic tension in the composition by the positioning of two subjects in the same frame. This relationship between subjects was central conceptually. Another delightful quirks was the placement of an electrical lead somewhere in the frame, hopelessly destroying the perfection of the composition and at the same time rescuing it from sterility. He won an international colour award for the Hope series.

To see the man’s work up close was a privilege. The prints were very large and Olaf’s technical abilities were glorious to see. Conceptually, I don’t think I have seen another photographer quite like him. In this regard, he reminds me of Duane Michaels. Aesthetically, his work is fabulous as well, with his colour work and attention to detail something that needs to be seen to be believed.

As far as photography goes for me, this man is as close to Godhead as is humanly possible. He has the complete package of technical skills and artistic and conceptual genius, as well as the financial resources to overcome any limitation to turning his imagination into photographs. If you ever get near Amsterdam, there are many chances for you to see his work in galleries over there. Otherwise go and look at the web site and try to imagine what these fabulous shots look like at full size and under good lighting.

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